4-day Platinum-Palladium Masterclass with Constanza Isaza

28. - 31. July 2026

EUR 1.200,- inkl UST for all 4 days

Der Workshop ist in englischer Sprache, aber es geht um die praktische Anwendung. Alle Chemikalien werden auch auf Deutsch übersetzt und entsprechende Bezugsquellen zur Verfügung gestellt. Beim Drucken und Bearbeiten des Negatives werden gleichzeitig in einer deutschen Version von Photoshop alle Schritte parallel gemacht, damit die Teilnehmer das auch in der deutschen Version von Photoshop lernen.

A well-crafted platinum-palladium print is an object of extraordinary beauty, with a wide tonal scale that spans delicate, luminous highlights, silvery midtones, and rich, velvety shadows. It is this beauty, the prints’ exceptional archival stability, and the intrinsic value of the noble metals used, that makes platinum/palladium prints the most highly prized of all photographic processes.

The image is composed of finely divided platinum and palladium metals that are highly stable and resistant to environmental degradation. As with other historical photographic processes, fine art paper is hand-coated with photosensitive chemical solutions and, when dry, exposed under a negative to UV light, before being developed and processed.

This workshop offers a hands-on opportunity to explore this classic nineteenth-century printing technique, with no prior experience necessary. Topics covered include:

  • Preparing digital image files

  • Printing digital negatives

  • Sensitising the paper

  • Exposing, processing and drying the print

  • Finishing, retouching, and presentation

  • Calibrating digital negatives

  • Advanced printing techniques

By the end of the workshop, participants should be able to:

  • Calibrate and print negatives suitable for platinum-palladium printing

  • Mix and coat platinum/palladium solutions on appropriate paper substrate, using brush and glass rod coating techniques

  • Expose, develop, clear and dry platinum-palladium prints to current best archival standards

The length of this workshop will allow participants plenty of time to make prints, for example producing a small folio of prints or an edition, or experimenting with advanced techniques such as printing on lightweight Japanese paper.

Constanza is an analogue photography specialist with over two decades of experience in traditional photographic processes. She holds a BA in Photographic Arts from the University of Westminster and an MA in History of Art from the Courtauld Institute. Constanza trained under Dr Peter Moseley, the UK's leading authority on photopolymer gravure and platinum-palladium printing, and has become a recognised specialist in these technically demanding processes. She is co-founder and Director of Lux Darkroom, London. Constanza’s work has been widely exhibited and is held in a number of private collections in the UK, Iceland, Norway, Canada, and the Americas.

Bei Anmeldung werden EUR 300,- als Anzahlung fällig und die restlichen EUR 900,- 2 Wochen vor Workshopbeginn. EUR 300,- downpayment on registration and the rest 2 weeks before the workshop.

Anmeldung online hier: Anmeldung und Anzahlung

oder per email hier: g99@g99gallery.com

Past Workshop with Kit Young

This was a great workshop. All participants enjoyed hearing from Kit what his approach is and I think they took some valuable insights back home with them.

Find now on this page some examples of the results

One of the exercises at the workshop

Andreas Reinstaller

Christian Theiss

Jasmin Schaden-Kajoui

Nikita Galinkin

Norberto Fernandez

Robert Pichler

Waltraud Friesenbichler

Workshops

20. September 2025 Masterclass with Kit Young

Approaching series-based work and pursuing a personal vision with Kit Young

Join Kit Young at G99 Gallery in Vienna for an intensive one-day workshop to develop your sensitivity towards creating series-based work and pursuing a personal vision. The hands-on workshop will combine a classroom-based component, providing a deep dive into how series-based work is created and drawing on examples of work published by Kit, and a photo walk around Vienna, featuring a range of assignments designed to get participants thinking bout more abstract ways of approaching subject matter with a view to creating a series.

Kit Young was born in 1984. He set out on his photographic journey in 2009 when he moved to France where he joined a group of Paris-based photographers led by Gérard Moulin. It was during this period that Kit began to explore the infinite possibilities of darkroom printing and the juxtaposition of seemingly unrelated moments in time to create visual patterns as part of series-based work.

“I consider myself to be a photographer and a printer. I think that’s an important distinction to make. I don’t just take photos; I make photos too. The photographer in me is responsive, impulsive, reacting to subject matter on the spur of the moment, more often than not giving very little thought to anything more than the lines and tone of what’s in front of me; the printer in me is methodical, exacting, always working in a more meditative way. I do, however, think that both the photographer and printer in me are curious, inquisitive and often playful – and neither is afraid to make mistakes.”

When: Saturday 20 September: 09:30-16:00. The workshop will take place come rain or shine.

Where: Starting at G99 Gallery, Vienna; finishing somewhere in Vienna.

What to bring: A camera and a lens or two (film or digital). Travel light; wear decent footwear

Past Workshops

07.-10.06.2025 Palladium/Gum/Cyanotype Workshop 4-days with Kerik Kouklis
find more details here

24.05.2025 Cyanotype Workshop 1 day (10:00-17:00) with Rosalind Hobley more details here